by Interior CS Murkomen Labels June 25 Gen-Z Protests an “Attempted Coup” Amid Rising Tensions
NAIROBI, Kenya – June 27, 2025
Kenya’s Cabinet Secretary for Interior and National Administration, Kipchumba Murkomen, has labeled the Gen-Z-led protests of June 25 an “attempted coup,” following widespread unrest that left at least 10 people dead, over 300 police officers injured, five police stations torched, and hundreds arrested across the country.
In a strongly worded statement issued on Thursday, Murkomen condemned the demonstrations—initially sparked by opposition to the Finance Bill 2025—as having morphed into what he described as a “coordinated and well-funded insurrection.” The protests, which were largely organized through social media by young Kenyans, quickly escalated into violent confrontations in multiple cities, including Nairobi, Kisumu, and Nakuru.
“What we witnessed on June 25 was not a protest—it was an attempted overthrow of the government by misguided youth being manipulated by faceless actors,” Murkomen stated during a press briefing.
Rising Casualties and Destruction
Government officials confirmed that at least 10 civilians were killed during clashes with police, though independent human rights groups suggest the number may be higher. The Kenya National Commission on Human Rights (KNCHR) has called for an independent investigation into police conduct, citing reports of live ammunition being used against unarmed demonstrators.
More than 300 police officers were injured, and five police stations—primarily in Nairobi and Western Kenya—were set ablaze, according to Ministry of Interior data. Public property, including vehicles and government offices, also suffered extensive damage during the unrest.
Mass Arrests and Ongoing Investigations
Hundreds of protesters have been arrested nationwide, many of whom are facing charges ranging from unlawful assembly to destruction of public property and incitement to violence. Authorities have vowed a thorough investigation, with Murkomen hinting at potential foreign influence behind the coordination of the protests.
The Directorate of Criminal Investigations (DCI) is currently analyzing digital evidence, including online posts and fund transfers, in an effort to identify the “masterminds” of what the Interior Ministry has characterized as a national security threat.
Public Reaction and Political Fallout
The Interior CS’s remarks have drawn mixed reactions. While some government allies have backed Murkomen’s tough stance, opposition leaders and civil society groups have accused the government of attempting to criminalize legitimate dissent.
Azimio coalition leaders demanded the immediate release of detained protesters and called for a parliamentary inquiry into the government’s response. Amnesty International Kenya, meanwhile, issued a statement warning that “the labeling of youth-led protest movements as a coup attempt sets a dangerous precedent for democratic expression.”
What Comes Next
As tensions remain high, security has been reinforced in major urban centers with anti-riot units deployed preemptively to prevent further demonstrations. President William Ruto is expected to address the nation amid growing calls for dialogue and de-escalation.
The Gen-Z protest wave, which began as an online campaign against taxation and government accountability, has become one of the most significant youth-led movements in Kenya’s recent history—now raising profound questions about governance, civic space, and the power of digital mobilization.
Shourtie Pops Up at XFM for Surprise “Sitaki” Song Premiere
June 26, 2025
Emerging Kenyan, Ugandan based, artist Shourtie made a bold and exciting appearance at XFM Studios Nairobi this week, surprising fans and radio hosts alike with the exclusive premiere of her latest single, “Sitaki.” The unannounced drop generated instant buzz both on-air and across social media, cementing her place as one of the most talked-about rising stars in Kenya’s alternative and Gengetone-inspired scene.
Pulling up in signature style and energy, Shourtie brought the studio to life with a live teaser performance and a candid interview that gave listeners a first listen to the emotionally charged and empowering track.
“’Sitaki’ is about boundaries. It’s about knowing your worth and saying no—whether it’s in relationships, friendships, or fake industry energy,” Shourtie said during the segment.
The song blends assertive Swahili lyricism with a bouncy, genre-bending beat that pulls influences from R&B, Afro-fusion, and drill. Its catchy hook and message of self-determination make it a potential anthem for young fans navigating love, ambition, and self-worth.
The XFM team praised her for both her performance and the boldness of her message. “Shourtie is bringing that fearless feminine energy to the scene,” one host remarked. “This isn’t just a song—it’s a statement.”
Within minutes of the premiere, #Sitaki started trending on Kenyan Twitter and TikTok, with fans posting snippets from the live session and praising Shourtie’s raw delivery and confident sound.
Having already built a cult following through viral freestyles and fashion-forward appearances, Shourtie is now staking her claim in the industry as more than just a moment—she’s a movement.
“Sitaki” is now available on all major streaming platforms, and a visual release is reportedly in the works.
Trio Mio Acquires New Home, Marking Major Milestone in His Young Career
June 26, 2025
Rising Kenyan rap sensation Trio Mio has reached another major milestone—this time off the stage. The 20-year-old Gengetone and hip-hop star has officially acquired a new house, a move that has excited fans and cemented his growing status as one of Kenya’s most successful young artists.
The news was first shared via his Instagram stories and quickly made rounds on social media, with photos showing the artist standing proudly outside the modern home. The residence, located in the Nairobi metropolitan area, features sleek finishes, spacious interiors, and a compound that suggests both comfort and ambition.
Fans and fellow artists flooded his timeline with congratulatory messages, praising not only his musical talent but also his focus and financial discipline at a young age.
“Dreams are valid,” Trio wrote in one of his posts. “This is for everyone who believed in the boy from Umoja. We’re just getting started.”
Trio Mio, whose real name is TJ Mario Kasela, first shot to fame in 2020 with his viral hit “Cheza Kama Wewe.” Since then, he’s dropped a string of chart-topping tracks, collaborated with some of Kenya’s top acts, and grown a loyal fan base drawn to his lyrical maturity and humble persona.
Industry insiders say the house purchase is a sign of Trio’s long-term thinking, especially in an industry often criticized for fleeting fame and financial mismanagement. At just 20, he is already being cited as a model for the next generation of artists seeking success both on and off the mic.
His mother, who has played an instrumental role in managing his career, also shared her pride. “It’s a blessing to see your child build something solid with his talent. We thank God,” she said in a video posted online.
With this latest achievement, Trio Mio continues to inspire Kenya’s youth—not just with rhymes and rhythm, but with real-life results.
Media Blackout Sparks Outrage as Rights Groups Decry Crackdown on Press Freedom
June 26, 2025
Nairobi, Kenya — The Kenyan government faced a storm of criticism Thursday from journalists and international human rights groups following a temporary media blackout imposed during the nationwide protests on June 25. The blackout, which halted live broadcasts across several major news networks, was later overturned by Nairobi’s High Court in an emergency ruling hailed as a victory for press freedom.
The Communications Authority of Kenya had ordered media houses to cease live transmission of the protests, citing national security concerns. Major networks, including NTV, Citizen TV, and KTN News, went off-air for several hours before the court intervened and restored their signals. The decision to suspend coverage drew swift backlash from media watchdogs and press freedom advocates.
One of the most vocal critics was the World Association of News Publishers (WAN-IFRA), which labeled the move “a violation of constitutional rights and a dangerous precedent for censorship.” The organization urged the government to respect the role of an independent press, especially during national crises.
“Shutting down live coverage during mass demonstrations only fuels public mistrust and violates the core principles of democracy,” WAN-IFRA said in a statement.
The blackout coincided with widespread unrest across more than 26 counties, where peaceful protests spiraled into violent confrontations, looting, and arson. Businesses in Nairobi, Kisumu, Nakuru, and Eldoret reported significant losses, with some storefronts burned and inventories destroyed.
Interior Cabinet Secretary Kipchumba Murkomen condemned the destruction of property and described the unrest as “terrorism disguised as dissent.” He warned that those caught looting—many of whom were recorded on CCTV—would face swift prosecution. His remarks, however, have sparked concern among civil society groups who fear the government may use the violence as justification for a wider crackdown on dissent.
The shutdown of media coverage during such a critical moment has reignited debate over the limits of state power and the fragility of press freedom in Kenya. Critics argue that live reporting plays a crucial role in documenting abuse, protecting protester rights, and holding authorities accountable.
As tensions remain high, journalists, human rights defenders, and opposition leaders continue to call for transparency, lawful policing, and the protection of constitutional rights. The battle for Kenya’s democratic space, they argue, extends far beyond the streets—and into the nation’s airwaves and courtrooms.
Kenyans Begin Cleanup After Deadly Protests Leave Trail of Destruction
June 26, 2025
Nairobi, Kenya — Streets across Nairobi and more than two dozen counties were strewn with debris Thursday morning, as residents and business owners began clearing the aftermath of one of the deadliest days of protest in recent Kenyan history. The demonstrations, which marked the one-year anniversary of the 2024 anti-tax uprising, spiraled into widespread unrest, looting, and clashes with police.
According to Amnesty International Kenya and the Kenya National Commission on Human Rights (KNCHR), at least 16 people were killed, all reportedly shot by security forces. More than 400 others were injured, including protesters, journalists, and law enforcement personnel.
In downtown Nairobi, traders were seen sweeping broken glass and salvaging stock from torched stalls. One shopkeeper in the city center estimated his losses at over $15,500, while another in Gikomba Market reported his entire stock of fabric reduced to ashes.
“We woke up to find our life’s work gone,” said one trader. “How can we be expected to survive when the government doesn’t listen and the police shoot our children?”
The violent turn of events followed peaceful rallies that quickly escalated into confrontations after police deployed tear gas, rubber bullets, and live rounds. In several counties, demonstrations were infiltrated by looters who vandalized shops and set buildings ablaze. The destruction not only devastated livelihoods but also intensified calls for dialogue between the government and protesting youth.
On social media, images of burned-out storefronts and injured demonstrators trended under hashtags like #JusticeForOjwang and #Mandamano2025, referencing both the broader movement and the death of blogger Albert Ojwang, whose recent custodial death helped reignite national anger.
In response to the chaos, Interior Cabinet Secretary Kithure Kindiki condemned the destruction, labeling some of the activity as “coordinated criminality.” He vowed arrests for those caught on CCTV looting or vandalizing property.
However, civil society groups pushed back, warning against blanket criminalization of demonstrators. “The government must listen,” said Irũngũ Houghton of Amnesty Kenya. “These protests reflect a deep societal frustration with injustice, corruption, and impunity.”
As clean-up efforts continue, traders and families affected by the violence are now seeking government compensation and guarantees of safety. Meanwhile, activists are calling for an independent investigation into the killings, the reinstatement of press freedoms, and a formal recognition of the grievances raised by Kenya’s youth.
Whether the state responds with reforms or further crackdowns remains to be seen. But on the streets of Nairobi, the dust is only just beginning to settle.
Waitaliano and Q Tam Drop Protest Anthem “Mandamano” Amid National Unrest
June 26, 2025
As Kenya reels from a new wave of youth-led protests and rising calls for justice, rising artists Waitaliano and Q Tam have released a timely and politically charged anthem titled “Mandamano.” The track, launched just a day before the June 25 demonstrations, has quickly captured the mood of the nation—becoming a rallying cry across social platforms and urban soundscapes.
Released under Black Market Records, “Mandamano” is a bold fusion of hip-hop and conscious street poetry, reflecting Kenya’s turbulent socio-political environment. The word Mandamano, derived from the Swahili for “demonstration,” is repurposed in the song to emphasize resistance, demand for justice, and the urgency of civic action.
With gritty verses and a haunting chorus, the song dives into themes of police brutality, government neglect, and youth disillusionment. Q Tam’s razor-sharp delivery complements Waitaliano’s emotive storytelling, painting vivid scenes of life in the streets where frustration simmers and hope refuses to die.
“Wanatushika kwa nguvu, lakini bado hatunyamazi.
Haki haitolewi—tunaitafuta kwa miguu barabarani.”
(They grab us with force, but we won’t be silenced.
Justice isn’t given—we seek it marching in the streets.)
The song’s audio was released on YouTube and major streaming platforms on June 24, 2025, just as tensions in the country reached a boiling point. Within hours, “Mandamano” was being shared across TikTok and Instagram reels, especially by Gen Z users who were on the front lines of the June 25 protests.
This isn’t the first time Kenyan artists have turned to music to confront state violence and social injustice. But “Mandamano” stands out for its raw immediacy—clearly influenced by real-time events, including the tragic death of activist blogger Albert Ojwang in police custody and the mass protests that followed.
In a recent interview, Waitaliano said the song was not just a track but “a voice for the voiceless.” Q Tam added, “Music is our weapon—it cuts through censorship, fear, and silence.”
The timing of the release, along with its unapologetic message, has made “Mandamano” an underground anthem of the movement, resonating far beyond the club scenes and radio charts.
Whether it becomes a defining soundtrack of this protest era or simply a powerful moment in Kenyan music history, one thing is clear: Waitaliano and Q Tam have sparked a conversation that cannot be ignored.
Casualties Mount as Human Rights Concerns Deepen in Wake of June 25 Protests
June 26, 2025
Nairobi, Kenya — A day after nationwide demonstrations rocked Kenya, conflicting reports on casualties have raised alarm among human rights groups and watchdog agencies, deepening concerns over the government’s handling of protests and its commitment to constitutional freedoms.
According to the Kenya National Commission on Human Rights (KNCHR), at least 8 people were confirmed dead, with over 80 others seriously injured across the country during the June 25 protests. The Commission also noted that more than 400 individuals—including journalists, protesters, and police officers—were harmed in varying degrees, and approximately 60 people were arrested.
However, Amnesty International Kenya issued a parallel report contradicting the official government figures, asserting that the death toll had risen to 16, with at least five fatalities attributed directly to live ammunition fired by security forces. Amnesty further confirmed that over 400 people sustained injuries, and echoed the KNCHR’s figure of 60+ arrests nationwide.
“These numbers reflect a shocking disregard for the right to peaceful assembly,” said Irũngũ Houghton, Executive Director of Amnesty Kenya. “The government has a constitutional obligation to protect, not punish, its citizens when they express dissent.”
Gruesome footage and eyewitness accounts circulated widely on social media, showing scenes of chaos, brutality, and bloodshed, particularly in Nairobi’s CBD, parts of Mombasa, Kisumu, and Eldoret. Victims included students, medics, and freelance journalists, some of whom were reportedly assaulted while attempting to document the events.
Independent medical groups who volunteered during the protests also confirmed receiving dozens of patients with gunshot wounds, fractures, and tear gas injuries. One volunteer medic described the situation as a “war zone.”
The growing casualty figures have prompted widespread condemnation from local and international observers. Human Rights Watch and the United Nations Human Rights Office have both issued statements urging the Kenyan government to launch independent investigations and hold accountable any officers found to have used excessive force.
“This level of violence during civic protests is unacceptable and erodes the democratic principles Kenya is built on,” said a spokesperson from the UNHRO Office in Nairobi.
President William Ruto’s administration has yet to officially comment on the diverging reports, but Interior Cabinet Secretary Kithure Kindiki promised a “comprehensive review” of law enforcement actions during the protests.
In the meantime, civil society groups have vowed to continue pressuring the state for justice and reforms. Plans for legal action and further demonstrations are already taking shape, as Kenya once again finds itself at a critical crossroads between state authority and civil liberties.
Nationwide Youth-Led Protests Rock Kenya on Anniversary of 2024 Demonstrations
June 26, 2025
Nairobi, Kenya — Kenya witnessed a powerful wave of youth-led demonstrations on Tuesday, June 25, 2025, as thousands took to the streets across at least 23 counties to mark the one-year anniversary of the deadly anti-tax protests that shook the nation in 2024. The protests—centered in Nairobi, Mombasa, Kisumu, Nakuru, Nyandarua, Nyeri, and other urban centers—were sparked by lingering grievances over police brutality, corruption, and governance failures.
The demonstrations, which began peacefully in many areas, escalated into confrontations between protesters and security forces. In multiple counties, police responded with force—firing tear gas, rubber bullets, and in some instances, live ammunition. Protesters erected barricades, lit fires, and blocked major highways in protest of what they described as the government’s continued failure to address justice and police reform.
In the capital, heavy security was deployed around key government installations, including Parliament and State House, which were heavily barricaded. Riot police patrolled the streets of Nairobi’s CBD and parts of Westlands, Kamukunji, and Kibera, where youth activists rallied in defiance of an official ban on public assemblies.
Adding to the growing tension, the Communications Authority of Kenya issued a directive suspending live broadcast coverage of the protests by noon, citing “national security concerns.” Major media houses complied, though independent journalists and citizen media continued to stream real-time footage on social media platforms.
The protests come amid a renewed outcry for justice for victims of last year’s brutal crackdown, which left at least 30 people dead according to human rights watchdogs. This year, demonstrators carried placards bearing the names and faces of the deceased, chanting “Justice for June 25,” and demanding the prosecution of officers responsible for the killings.
“We are not criminals. We are citizens demanding justice. We will not forget what happened last year, and we will not be silenced,” said Lorna Atieno, a 24-year-old university student in Kisumu who joined the protest.
The Kenya National Commission on Human Rights (KNCHR) reported fresh fatalities and injuries during Tuesday’s demonstrations, although official numbers were yet to be confirmed by press time. Amnesty International Kenya condemned the heavy-handed response, stating, “The use of excessive force against peaceful protesters is a blatant violation of fundamental rights and the Constitution.”
As the evening wore on, protests turned into candlelight vigils in parts of Nairobi and Eldoret, with songs, poetry, and speeches honoring the lives lost and calling for a renewed national conversation on justice, police accountability, and youth representation in governance.
President William Ruto, in a brief televised address, acknowledged the protests but warned against “anarchy and unlawful behavior,” reiterating the government’s commitment to maintaining order and security.
Observers now await whether the protests will spark a longer civil movement or lead to meaningful dialogue between the state and civil society. For many young Kenyans, June 25 is no longer just a date—it is a symbol of resistance, remembrance, and resilience.
Inside the Boomplay x Black Market Records Live Session: Artists Reveal Their True Selves
The recent Boomplay live session held at Black Market Records headquarters in Nairobi was not just about music—it was an open, unfiltered conversation that gave fans and viewers a rare peek into the real lives and stories behind some of Kenya’s most influential Gengetone and urban artists.
Unlike traditional showcases, the session’s main highlight was a raw roundtable-style discussion, where the artists got vulnerable about who they are beyond the stage, revealing untold stories, personal struggles, and unexpected sides of their journey.
🎙️ A Space for Real Talk
In an intimate setup surrounded by fans, media, and fellow creatives, the session featured Joefes, Mr. Kagame, DJ Moon, Unspoken Salaton, and Odi wa Muranga opening up in ways fans had never seen before.
🗣️ Joefes: More Than Just Punchlines
Known for his cheeky lyrics and streetwise swagger, Joefes shared that he’s also a dedicated mentor to emerging artists behind the scenes. He revealed that much of his humor stems from earlier hardships.
🎧 DJ Moon: The Quiet Architect
Often behind the decks, DJ Moon stepped forward to discuss the emotional pressure of producing for high-profile artists. He revealed that he started with the wish to become like the great gurus namely Martin Garrix and sort. His story inspired young youths in music tech.
🎤 Mr. Kagame: The Soul Behind the Voice
Mr. Kagame, from Rwanda, shared his deep personal losses, including the how his friend almost killed him for a minor disagreement. “Music became my way to relieve and celebrate life. What you hear is healing in real time.”
🧠 Unspoken Salaton: The Storyteller Unmasked
Unspoken got cerebral, diving into the spiritual side of lyricism, saying, “He started as a spoken word person.” He also spoke on how he was born in a state he didnt think would change but God came through.
🔥 Odi wa Muranga: From Meme to Movement
Odi revealed that the viral side of his career often overshadows the intentional art he creates. “Yes, I’m funny. But I’m also building culture. My music is coded for the streets and the future.”
🧩 What People Didn’t Know
From hidden anxieties to personal motivations, the artists peeled back layers that fans rarely get to see. The audience learned that:
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Several artists struggle with mental health but find refuge in music.
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Some have been ghostwriters or silent producers for major acts.
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Others are deeply involved in community work and youth mentorship.
🌍 Why It Mattered
This wasn’t just another live session—it was a transformative cultural moment that fused artistry with authenticity. Fans didn’t just watch performances—they walked away with deeper respect for the human beings behind the music.
Black Market Records and Boomplay have promised more such artist-first experiences in the near future.
Conclusion:
By creating a space where musicians could be raw, honest, and fully themselves, the Boomplay x Black Market Records session reminded us all that music is only half the story—the rest is found in the lives, voices, and truths of the artists themselves.
Pulselive Kenya’s Top Music Picks for June 10: A Showcase of Rising Kenyan Talent
Kenya’s music scene continues to flourish with bold new sounds, fresh collaborations, and genre-defying talent. On June 10, Pulselive Kenya released its latest music picks, spotlighting three powerful new tracks that are already making waves across streaming platforms.
Here’s a breakdown of the standout selections:
🎵 “June 10th” by Muthaka
Genre: R&B / Soul
Mood: Reflective, emotive
Singer-songwriter Muthaka delivers a soulful tribute with “June 10th,” a track that blends vulnerability with vocal depth. Backed by minimalistic production, Muthaka’s lyrics evoke themes of memory, love, and emotional healing. The song’s stripped-down arrangement allows her expressive tone and lyrical storytelling to shine—an R&B gem that’s perfect for late-night introspection.
“It’s both a personal date and a universal mood,” fans say, noting how easily it resonates with anyone who’s ever marked a moment of heartbreak or growth.
🎶 “Gone” – Njerae ft. Preston Pablo
Genre: Afro-Indie Ballad
Mood: Melancholic yet hopeful
Kenyan rising star Njerae teams up with Canadian pop/R&B artist Preston Pablo in “Gone,” a bittersweet fusion of acoustic soul and Afro-indie energy. The cross-continental collaboration marries soft guitar loops with harmonized vocals, exploring themes of longing, misconnection, and moving on.
Njerae’s earthy delivery pairs beautifully with Pablo’s smoother pop stylings, creating a track that feels at once introspective and international. It’s a bold step forward for Kenyan indie pop.
🔥 “Crash Out” – Brandy Maina & Zaituni Wambui
Genre: Afrobeats / Benga-inspired fusion
Mood: High-energy, fierce, empowering
If there’s one track built to light up a dancefloor, it’s “Crash Out.” This electrifying collab between Brandy Maina and Zaituni Wambui bursts with raw feminine power and rhythmic complexity. Layered with pulsating beats, rapid-fire Swahili-English bars, and benga-infused hooks, the song is a sonic celebration of freedom and unapologetic energy.
Brandy’s signature Afropop edge meets Zaituni’s charismatic performance style in a track that demands repeat plays—and has quickly become a crowd favorite on TikTok and Nairobi club scenes alike.
🎧 Final Take
Pulselive Kenya’s June 10 playlist proves that Kenya’s music ecosystem is brimming with creativity and global ambition. Whether you’re into smooth soul, indie fusion, or high-octane Afrobeats, this week’s picks deliver on emotion, energy, and artistry.
All three tracks are now streaming on Spotify, Boomplay, and Apple Music. Add them to your playlist—you’ll be ahead of the curve.
