by derrick kayiiraGrammy Chief Defends Chris Brown’s Nomination in Best African Music Category Amid Controversy
The recent announcement of Chris Brown’s nomination in the Best African Music Performance category at the 2025 Grammy Awards has ignited a wave of discussions and debates within the music industry and among fans. Harvey Mason Jr., CEO of the Recording Academy, has addressed the controversy, emphasizing the evolving nature of global music and the inclusivity of the awards.
Chris Brown’s track “Sensational” from his album 11:11 (Deluxe Edition) earned him a spot in the newly established Best African Music Performance category. This nomination, alongside nods for Best R&B Performance and Best R&B Album, brings his career total to 25 Grammy nominations, with one prior win.
Critics have expressed concerns over Brown’s inclusion in a category designed to celebrate African music, citing both his past controversies and questions about the authenticity of his contributions to the genre. In response, Mason Jr. highlighted the global influence of African music, stating that it has become “prevalent everywhere in the world” and is now “part of pop music.” He emphasized the Recording Academy’s commitment to adapting and recognizing the dynamic nature of music worldwide.
This isn’t the first time the Grammys have faced scrutiny over their association with Chris Brown. In 2012, his prominent presence at the awards, three years after his assault on Rihanna, drew significant criticism. At that time, Mason Jr. defended the decision, stating that the Academy’s judgments are based on “music professionals listening to the music of other professionals” and that delving into artists’ personal lives would be a “slippery slope.”
The introduction of the Best African Music Performance category itself has been met with mixed reactions. While some celebrate the recognition of African music’s global impact, others argue that such an award is long overdue. Ian Brennan, a Grammy-winning producer, remarked that while the inclusion is “progress,” it remains “long overdue.”
As the 2025 Grammy Awards approach, the Recording Academy’s decisions continue to spark discussions about the balance between artistic merit, personal conduct, and cultural representation. Mason Jr.’s defense of Brown’s nomination underscores the organization’s stance on inclusivity and the evolving landscape of global music.
Bruce Melodie: From Kigali’s Streets to East Africa’s Music Stage
Bruce Melodie has emerged as a prominent figure in East Africa’s music scene, captivating audiences with his unique blend of Afrobeat and R&B. His journey from humble beginnings in Kigali, Rwanda, to becoming a celebrated artist is a testament to his resilience and dedication.
Early Life and Musical Beginnings
Born Bruce Itahiwacu in Kicukiro District, Rwanda, he is the second of four children. Bruce’s musical journey began early, participating in his church choir, which laid the foundation for his passion for music. He attended Camp Kanombe Primary School and Rwamagana Islamic Secondary School, where he further nurtured his musical talents.
Rise to Fame
Bruce Melodie’s breakthrough came with the release of his debut song “Tubivemo” in August 2013, under the album Ndumiwe. This track marked the beginning of his ascent in the Rwandan music industry. His second album, Ntundize, released in 2014, solidified his position in the music scene.
Notable Collaborations and Achievements
Throughout his career, Bruce has collaborated with several renowned artists, including Urban Boyz, Queen Cha, Jay-C, Sheebah Karungi, Pallaso, B2C, Fik Fameica, and Khaligraph Jones. He was the first Rwandan artist to perform at Coke Studio Africa, showcasing his talent on an international platform.
In 2023, Bruce featured in Harmonize’s song “Zanzibar,” further expanding his reach in the East African music industry. In 2025, he collaborated with Nigerian artist Joeboy on the track “Beauty on Fire,” highlighting his versatility and appeal across different musical styles.
Recent Developments
Bruce Melodie continues to make strides in his career. In December 2024, he expressed interest in collaborating with Uganda’s Juliana Kanyomozi, known for her hit songs like “Nabikowa.”
Conclusion
From his early days in Kigali to becoming a celebrated East African hit-maker, Bruce Melodie’s journey is a testament to his talent, resilience, and unwavering dedication to his craft. His story continues to inspire many aspiring artists across the continent.
For a glimpse into Bruce Melodie’s musical style, you can watch his official music video for “Nyambo”:
High Court Orders KECOBO to Grant KAMP License, Ensuring Music Producers’ Royalties
In a significant development for Kenya’s music industry, the High Court has ordered the Kenya Copyright Board (KECOBO) to grant a license to the Kenya Association of Music Producers (KAMP). This ruling allows KAMP to resume its role in collecting royalties on behalf of music producers, ensuring that creators receive fair compensation for their work.
Background
KAMP, established to protect the rights of music producers, had been operating under a license issued by KECOBO. However, in recent times, there were challenges regarding the renewal and validity of this license, leading to uncertainties in royalty collections. The High Court’s decision addresses these concerns, reinstating KAMP’s authority to collect and distribute royalties.
Implications for the Music Industry
This ruling is a pivotal moment for Kenya’s music sector. By affirming KAMP’s role, the court ensures that music producers can continue to receive royalties, which are essential for sustaining their creative endeavors. The decision also underscores the importance of a robust legal framework in protecting intellectual property rights within the industry.
Next Steps
Following the court’s directive, KECOBO is expected to issue the necessary license to KAMP promptly. This will enable KAMP to resume its operations without further hindrances, benefiting both producers and the broader music community.
For more information on this development, you can refer to the official KAMP announcement:
To understand the broader context of this ruling, you might find the following video insightful:
Uhuru Kenyatta Rebukes Kenyan Leaders Over Trump’s Aid Cuts, Urges Self-Reliance for Africa
Former Kenyan President Uhuru Kenyatta has urged African leaders to view former U.S. President Donald Trump’s recent suspension of foreign aid as a catalyst for self-reliance rather than a setback. Speaking at the East Africa Region Global Health Security Summit in Mombasa on January 29, 2025, Kenyatta emphasized the importance of African nations taking charge of their own development and reducing dependence on external assistance.
Trump’s executive order, signed on his inauguration day, initiated a 90-day freeze on foreign aid spending, affecting programs like the President’s Emergency Plan for AIDS Relief (PEPFAR) and USAID, which are vital to many African countries. This move prompted concerns among African leaders about the potential negative impacts on health and development initiatives.
In his address, Kenyatta challenged the prevailing sentiment of disappointment:
“I saw some people the other day crying that Trump has withdrawn funding. Why are you crying? It is neither your government nor your country. He has no reason to give you anything. You don’t pay taxes in America. He is appealing to his people.”
He further urged African nations to reassess their priorities and allocate resources to critical sectors such as healthcare:
“Nobody is going to continue holding out a hand to give you. Whether we like it or not, funding for pandemics must come from ourselves. We need to re-prioritize what is important for us as Africans and allocate resources accordingly.”
Kenyatta’s remarks have garnered international attention, with figures like Elon Musk, head of Trump’s Department of Government Efficiency (DOGE), expressing support. Musk commented on social media, “Good for him!” in response to Kenyatta’s stance.
This development serves as a pivotal moment for African leaders to reflect on their nations’ reliance on foreign aid and to strategize on building more self-sufficient economies and healthcare systems.
For more insights into Kenyatta’s perspective, you can watch his address here:
H_Art the Band’s Mordecai ‘Dex’ Embarks on a Solo Journey with New EP ‘Safari’
Mordecai ‘Dex’ Mwini, a member of the renowned Kenyan group H_Art the Band, has unveiled his much-anticipated solo EP titled ‘Safari’. Released on October 17, 2024, the six-track collection marks a significant milestone in his individual musical journey.
The EP, named after the Swahili word for ‘journey’, encapsulates Mordecai’s personal and artistic experiences. He describes ‘Safari’ as a labor of love, reflecting months of dedication and collaboration to produce a masterpiece.
Listeners can stream ‘Safari’ on major platforms, including Spotify and Apple Music.
To accompany the release, Mordecai has shared visualizers for the tracks on his YouTube channel, providing fans with a visual journey alongside the music. He expressed his excitement on social media, stating, “I can’t keep calm because my project Safari EP is finally out now! After months of hard work and heart, I’m beyond proud to share this journey with you.”
The release of ‘Safari’ signifies a new chapter for Mordecai ‘Dex’, showcasing his growth as an artist and his commitment to exploring new musical horizons.
For a visual experience of the EP, you can watch the official visualizer below:
Bien Celebrates First Solo Award Win After Sauti Sol Breakup, Marking a New Era in His Career
Kenyan musician Bien-Aimé Baraza, formerly of the acclaimed band Sauti Sol, has achieved a significant milestone in his solo career by winning his first individual award. This accomplishment comes after the group’s decision to pursue separate paths through their ‘Alone Together’ campaign in 2021, which marked the beginning of their indefinite hiatus.
Bien’s solo journey has been marked by notable achievements, including the release of his debut solo album, Alusa Why Are You Topless?, in 2023. The 16-track album features collaborations with artists such as Ayra Starr, Ms. Banks, and Scar Mkadinali, showcasing his versatility and commitment to exploring diverse musical styles.
In 2024, Bien embarked on a successful European tour, further establishing his presence on the international stage. His dynamic performances and unique sound have resonated with audiences beyond Kenya, contributing to his growing acclaim as a solo artist.
Reflecting on his journey, Bien expressed gratitude to his fans and supporters who have stood by him during this transition. He acknowledged the challenges of stepping out as a solo artist after years with Sauti Sol but emphasized that this recognition validates his efforts and dedication to his craft.
As Bien continues to evolve as an individual artist, his recent award signifies a promising trajectory in his solo career. Fans eagerly anticipate what he will offer next, confident that he will continue to deliver compelling and innovative music.
For a glimpse into Bien’s solo performances, you can watch him perform “Still the One” live:
Kenyans for Kenyans: Kenyans Raise over Sh200k for Woman Blasted Over Rent Arrears
In a heartwarming display of community support, Kenyans have rallied together to raise over KSh 200,000 for Milkaa Moraa Tegisi, a mother from Nairobi’s Mukuru kwa Njenga slums who was recently locked out of her home due to rent arrears. This act of generosity comes after a widely publicized incident where Moraa sought assistance from Pastor James Ng’ang’a of Neno Evangelism Centre but was turned away.
Moraa had been locked out of her house for a week over unpaid rent arrears. She anticipated that she would receive help from the church only to be turned away.
Moved by her plight, Sammy Ondimu Ngare, an administrative police officer, initiated a fundraising campaign to assist Moraa. Through his efforts and the contributions of compassionate well-wishers, over KSh 200,000 was raised to help Moraa settle her rent arrears and support her family’s needs.
Additionally, Jarunda Jaluth Mambobiad, a Nairobi-based philanthropist, offered to pay two years’ rent for Moraa and assist her in starting a small business. He expressed his desire to help after learning about the challenges she faced.
Moraa’s story has touched the hearts of many, leading to an outpouring of support from both local and international communities. This collective effort underscores the power of unity and compassion in addressing societal challenges.
For those who wish to contribute further, donations can be sent directly to Moraa via M-Pesa at 0705028977 (Milka Tegisi).
This incident serves as a poignant reminder of the importance of empathy and community support in uplifting those in need.
Joefes, Exray Taniua & Fathermoh – Ka Hauna
Kenya’s Gengetone heavyweights Joefes, Exray Taniua, and Fathermoh have joined forces once again to release their latest banger, “Ka Hauna”, under Black Market Records. The track, which premiered on January 31, 2025, is already making waves in the Kenyan music scene, blending energetic beats with witty, street-inspired lyrics that fans have come to love.
A Powerhouse Collaboration
Each of these artists brings their unique style and charisma to “Ka Hauna”, creating a track that is both infectious and relatable.
- Joefes (part of Mbuzi Gang) is known for his sharp lyricism and creative wordplay. His ability to deliver punchlines with a laid-back yet confident flow has earned him a strong fanbase.
- Exray Taniua, a former Boondocks Gang member, is a pioneer of the Gengetone wave, credited for some of the biggest street anthems in Kenya. His signature hyped delivery and street-smart punchlines make him a standout on the track.
- Fathermoh, also from Mbuzi Gang, is one of the most consistent hitmakers in the Gengetone industry. Known for his catchy hooks and unique vocal delivery, he adds a signature flair that makes “Ka Hauna” an instant favorite.
The Meaning Behind “Ka Hauna”
The phrase “Ka Hauna” is Sheng slang, loosely translating to “If you don’t have [it], then forget it.” The song revolves around the hustle culture, nightlife, and social hierarchy in Kenya’s urban scene, highlighting how money, status, and confidence dictate social interactions.
The lyrics are filled with bold statements, playful rhymes, and anthemic chants, making it the perfect track for party lovers and street culture enthusiasts.
Production & Sound
Produced under Black Market Records, “Ka Hauna” boasts a hard-hitting Gengetone beat with a modern twist. The fast-paced instrumentals, heavy bass, and rhythmic drum patterns make it a dancefloor-ready anthem. The song also incorporates subtle Afrobeats and Amapiano influences, giving it a fresh, international feel while staying true to the Gengetone sound.
Music Video & Visualizer
The official visualizer for “Ka Hauna” is available on Joefes’ YouTube channel, giving fans a colorful, high-energy representation of the track. The visuals complement the song’s playful and party-oriented vibe, featuring dynamic graphics, urban aesthetics, and a lively atmosphere.
🎥 Watch the “Ka Hauna” visualizer here:
➡️ Joefes, Exray Taniua & Fathermoh – Ka Hauna (Official Visualizer)
Streaming & Availability
“Ka Hauna” is now available on all major streaming platforms, including:
- 🎵 Spotify: Listen Here
- 🎵 Apple Music: Stream Here
Final Thoughts – The Future of Gengetone
With “Ka Hauna,” Joefes, Exray Taniua, and Fathermoh prove once again why they are at the forefront of Kenya’s Gengetone revolution. Their ability to reinvent the genre while keeping it authentic makes them key players in the evolution of East African urban music.
Whether you’re looking for a high-energy party track or a street anthem with a catchy hook, Ka Hauna is the perfect addition to your playlist.
🔥 Stream it now and let us know what you think! 🔥
AGS Remedy Drops New Track “Cartel” Under Black Market Afrika – A Must-Listen!
Ghanaian rapper AGS Remedy is making waves once again with his latest release, “Cartel”, officially dropping under Black Market Afrika. Known for his sharp lyricism and distinct Afro-rap style, AGS Remedy continues to solidify his place in the music scene, captivating fans with hard-hitting bars and infectious beats.
A Game-Changer in the Afro-Rap Scene
Following the success of previous tracks like Yard and Why Me, AGS Remedy’s “Cartel” comes as another banger showcasing his signature storytelling ability, raw energy, and deep reflections on street life, ambition, and survival. The track blends trap-infused rhythms with Afro-inspired melodies, creating a sound that resonates with both local and international audiences.
Where to Listen
The official audio of “Cartel” is now available on YouTube, Audiomack, and other major streaming platforms. Fans can also stay updated with AGS Remedy’s music by following Black Market Afrika’s official channels.
With Cartel, AGS Remedy proves once again that he’s an artist to watch in the African rap industry. Stream it now and experience the power of authentic storytelling through music! 🎵🔥
by muckbivi83Mlolongo’ Abductees Found Dead
n December 2024, four friends from Mlolongo—Martin Zyuko Mwau, Kalani Mwema, Steven Mbisi Kavingo, and Justus Mutumwa Musyimi—disappeared under mysterious circumstances. The men, aged between 29 and 35, were last seen on December 15 and 17, 2024. Their sudden disappearance led to extensive searches and appeals from their families
Tragically, in late January 2025, the bodies of two of the missing men were discovered at the Nairobi Funeral Home, formerly known as City Mortuary. The body of Justus Mutumwa was identified first, followed shortly by that of Martin Mwau. Reports indicate that Mutumwa’s body was collected from Ruai and taken to the mortuary on December 18, 2024, just two days after his disappearance. The circumstances surrounding Mwau’s death remain unclear
As of January 31, 2025, the whereabouts of the remaining two friends, Kalani Mwema and Steven Mbisi Kavingo, are still unknown. Their families continue to seek answers and have called for thorough investigations into the disappearances and deaths. The community remains in shock, grappling with the tragic turn of events and hoping for justice for the victims.
