In a recent interview with Gengetone Radio, Kenyan artist YBW Smith, a prominent figure in the Arbantone music genre, addressed the ongoing criticism from fellow musicians and asserted his dominance in the industry.
Smith, known for his articulate and outspoken nature, expressed dissatisfaction with negative remarks from artists like Octopizzo and Habida, who have downplayed Arbantone’s legitimacy as a genre. He emphasized that such criticisms often stem from a lack of current relevance among these artists, suggesting they use Arbantone’s rising popularity to regain attention.
“Mimi ni fan wa Octo kutoka enzi za kitambo. So what’s happening na hawa wasanii, sai hawana wave. So wanatry kujifix at least wakue topic mahali.”
(This translates to his acknowledgment of being a longtime fan of Octopizzo but noting that some artists, lacking current influence, attempt to insert themselves into trending topics.)
Drawing parallels to past instances in the music industry, such as Stonebwoy’s assertion of his unparalleled status alongside peers like Sarkodie and Shatta Wale, Smith’s comments reflect a common theme among artists defending their contributions and standing within the industry. These declarations often highlight the artists’ belief in their unique impact and the challenges they face from both peers and critics.
Smith’s remarks on Gengetone Radio underscore his confidence in his artistry and the Arbantone genre’s significance. By challenging detractors and asserting his position, he aims to solidify his legacy and influence within the Kenyan music scene.
